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Dorian's Wardrobe


A Thousand Kisses
Iron Klaus
Achilles' Last Stand
Love in Greece
Dramatic Spring
Insha'Allah
Hallelujah Express
Veni, Vidi, Vici

No. 8: Veni, Vidi, Vici

Costumes: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13
#1
Cover of tankoubon #4.

Clothing:

Only garment visible is part of a top, deep blue, with scoop or V neckline trimmed with narrow lace.

Accessories:

Narrow black choker with red teardrop gemstone pendant on gold loop.

Comments:

Not much to see here, but included for the sake of completeness.

No. 8, #1
#2
Title page of tankoubon #4. (This picture looks more like it should have been associated with Insha'Allah, but in the tankoubon edition it turns up here.)

Clothing:

Head veil, probably white, about waist length, bound around head with two loops of braided cording.

Dark robe or tunic, no details visible.

Light-colored cloth loosely wound around neck -- can't tell whether this is a scarf or part of a garment.

Accessories:

Crossed bandoliers on chest.

Ornate dagger, probably slung from waist.

Comments:

This isn't too far from his Bedouin getup in Insha'Allah, but the bandoliers are an unusual addition for the firearm-shy Dorian.

No. 8, #2
#3
Back of title page, tankoubon #4.

Clothing:

Heavy knitted sweater, dark color, with thick turtleneck and raglan sleeves.

Accessories:

Hair appears to be pulled back and tied with a dark, striped ribbon of some kind.

Comments:

Again, not much to see here. With that heavy sweater, this one might more properly be grouped with The Alaskan Front, which is also in this tankoubon, but what the heck -- I'll leave it here.

No. 8, #3
#4
In the bath at the hotel in Rome.

Clothing:

Zilch.

Accessories:

Heavy bangle bracelet on left wrist.

Comments:

OK, I know it isn't a "costume" per se. But he's wearing a bracelet, and as far as I'm concerned, that qualifies. He's worth looking at, anyway.

No. 8, #4
#5
During, and immediately after, the first, ill-fated tunnel expedition.

Clothing:

Light-colored shirt, standard cut, tailored fit.

Close-fitting trousers, medium color, jeans cut, worn tucked into boots.

Dark, V-necked sweater.

Light-colored jacked, upper thigh length. Button front, turned-down collar, self belt. Pleated patch pockets, breast and lower front, both sides. Topstiching around front opening and collar edges, cuffs, and pockets.

Light-colored boots, below knee length, low heels.

Accessories:

Floral-patterned scarf, worn tied cravat-style around shirt neck and tucked into sweater.

Dark belt, open rectangular buckle.

Comments:

A practical outfit for tromping around in caves. Nothing too "flashy", but nice looking.

No. 8, #5a
No. 8, #5b
#6
Dorian's fantasy image of himself as a thief in the Renaissance.

Clothing:

White shirt, full, buttons at upper front. High, gathered collar. Very full sleeves, separated into puffs by narrow bands.

Light-colored hose.

Patterned jerkin (probably brocade), upper thigh length, open to waist in front.

Dark, heavy, draped coat, full length, very loose-fitting. Worn open in front and off left arm.

Accessories:

Chain necklace with round pendant at middle of chest.

Patterned belt, no closure visible.

Comments:

Dorian's slightly romanticized version of Italian Renaissance garb.

No. 8, #6
#7
In the Vatican Library; when meeting Klaus at St. Peter's Piazza; when flagging down construction crew.

Clothing:

Nun's habit, light-colored (white or grey, probably).

Accessories:

Cross on chain around neck.

Cord belt.

Comments:

This is Dorian's first venture into drag in the series (but not, alas, the last.) He's unusually tall for a nun, but otherwise reasonably convincing. I'm not sufficiently familiar with nun's costume to determine which order he's infiltrating.

No. 8, #7
#8
Construction site at St. Peter's Piazza.

Clothing:

Light-colored overalls, button-front, open at neck with turned-down collar. Sleeves rolled up. Breast patch pockets, pleated, with flaps. Worn tucked into boots.

Dark, scoop-necked shirt worn under overalls. Probably T-shirt or tank top.

Workman's boots, dark color, upper calf length.

Accessories:

Hard hat, with visor. Light-colored.

Workman's gloves.

Comments:

A strictly utilitarian disguise. Note that the shirt Dorian wears under his overalls is short-sleeved or sleeveless; Klaus is dressed the same way in this scene, but his shirt has long sleeves.

No. 8, #8
#9
Second tunnel venture; in Vatican Palace.

Clothing:

Black, long-sleeved, turtleneck sweater, close-fitting.

Black trousers, fitted.

Boots of indeterminate color.

Accessories:

Dark, narrow belt.

Comments:

Another standard-issue thieving outfit.

No. 8, #9a
No. 8, #9b
#10
Vatican Palace

Clothing:

White shirt with wide ruff at neck. (Rest of shirt not visible.)

Fitted doublet in wide, light-and-dark vertical stripes. Buttoned down front. Long sleeves with cuffs; sleeves fitted from wrist to elbow, and above puffed and slashed into panes.

Knee-length breeches in vertical light-and-dark stripes. Very full, slashed into panes from mid-thigh to knee. (There would be a lining or under-layer below these.)

Gaiters in stripes to match doublet and breeches. Knee length, button closure.

Light-colored boots.

Accessories:

Dark hat with wide, turned-up, shaped brim.

Wide, light-colored belt with square, embossed buckle.

Light-colored gloves (while safe-cracking.)

Comments:

The uniform of the Swiss Guard derives from the Renaissance-era Swiss landsknechts, soldiers known for their very colorful outfits decorated with puffs and slashes.

No. 8, #10
#11
At hotel, after return from Vatican Palace and successful Pope-napping.

Clothing:

Shirt with vertical pinstripes. Wide, turned-down collar; long sleeves, slightly full, gathered into cuffs.

Light-colored waistcoat. Shaped hem, front button closure.

Light-colored trousers.

Light-colored boots.

Accessories:

None.

Comments:

Another echo from the days of the leisure suit.

No. 8, #11
#12
While acting as decoy to lure Juliani.

Clothing:

Long-sleeved, close-fitting shirt and trousers, or one-piece jumpsuit, worn tucked into boots. Probably in black leather.

Dark, flat-soled motorcycle boots, below knee length.

Accessories:

Dark belt, no details visible.

Comments:

Ooo, baby.

No. 8, #12
#13
After return of Pope, through end of story.

Clothing:

Dark, cowl-necked sweater. Hip length; long sleeves.

Light-colored trousers, with front creases.

Light-colored jacket, upper thigh length. Front wrap closing; has shawl collar, three-quarter-length sleeves with rolled-back cuffs. Cuffs, collar, and opening edge are in contrast fabric with narrow stripe. Striped self-belt.

Light-colored boots.

Accessories:

Narrow, light-colored belt with open rectangular buckle.

Comments:

This one is fairly unremarkable. By the time he's on the plane at the end, the jacket has vanished and he's wearing the sleeves of the sweater rolled up.

No. 8, #13a
No. 8, #13b

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